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Max Payne sits alone on a crummy stool in a crummy bar in a crummy part of Hoboken, New Jersey. Outside, dirty snow drifts down like ash from the sky. Inside, the lights are dim, the music is faint and scratchy, the floor looks like it was last cleaned during the Clinton administration. An ashtray filled with crushed, smouldering, used-up cigarettes sits in front of him. The tobacco is also crummy: cheap cigs for a cheap place.
The only thing in the joint with any kind of class is the half-empty bottle of scotch Max has next to him. It’s the high-quality stuff, high potency too. Max has been working his way through it for about two hours now. He pours himself a glass, and stares morosely into it as though it holds all the answers. Then he drinks the answers, decides he doesn’t like what they reveal to him, and lights another cigarette as he contemplates his next move. Inevitably, his next move involves pouring another glass. He’s got a system down, a routine. Life is meaningless if you don’t give it any structure.
Max isn’t what anybody would ever call a sociable drinker, or person for that matter, but tonight something (probably the scotch) makes him start talking. He’s not speaking to anyone in particular, just wondering aloud. Maybe he’s hoping for better answers than the drink has been giving him.
"Friend of mine said something to me once," he says, his voice flat and dry. "If the only choice you've got is to do the wrong thing, then maybe it’s not actually wrong, maybe it’s just fate. Something like that." It’s not an exact quote, he’s paraphrasing as best he can. Memory is the enemy to Max, a monster he tries to keep at arm’s length so it can’t rip him to shreds. "I used to think that was just crap he used to excuse himself when he screwed people over. But maybe..."
Maybe there are no choices. Maybe life is a one-way train track, speeding people toward their inevitable derailment. Maybe there’s just enough free will in the world to justify guilt and regret, but not enough to actually change things.
These aren’t easy words to for anyone to speak, especially someone halfway through a bottle. Max trails off, then shakes his head, losing his train of thought. “Ah, forget it.”
He resumes his routine.
The only thing in the joint with any kind of class is the half-empty bottle of scotch Max has next to him. It’s the high-quality stuff, high potency too. Max has been working his way through it for about two hours now. He pours himself a glass, and stares morosely into it as though it holds all the answers. Then he drinks the answers, decides he doesn’t like what they reveal to him, and lights another cigarette as he contemplates his next move. Inevitably, his next move involves pouring another glass. He’s got a system down, a routine. Life is meaningless if you don’t give it any structure.
Max isn’t what anybody would ever call a sociable drinker, or person for that matter, but tonight something (probably the scotch) makes him start talking. He’s not speaking to anyone in particular, just wondering aloud. Maybe he’s hoping for better answers than the drink has been giving him.
"Friend of mine said something to me once," he says, his voice flat and dry. "If the only choice you've got is to do the wrong thing, then maybe it’s not actually wrong, maybe it’s just fate. Something like that." It’s not an exact quote, he’s paraphrasing as best he can. Memory is the enemy to Max, a monster he tries to keep at arm’s length so it can’t rip him to shreds. "I used to think that was just crap he used to excuse himself when he screwed people over. But maybe..."
Maybe there are no choices. Maybe life is a one-way train track, speeding people toward their inevitable derailment. Maybe there’s just enough free will in the world to justify guilt and regret, but not enough to actually change things.
These aren’t easy words to for anyone to speak, especially someone halfway through a bottle. Max trails off, then shakes his head, losing his train of thought. “Ah, forget it.”
He resumes his routine.